Productions

Some of the productions between 2006-1985 are picked out here because they are a social or historic statement which would later influence her writing:

2006 NOYE’S FLUDDE (Noaks Ark) opera by Benjamin Britten, Design and making of masks for the children’s chorus.
1999-2000 DON JUAN by Moliere, directed by Mario Gonzales for Skillinge Theatre, Skåne, played at Theatre Pied de Bois, La Cartoucherie, Vincennes, Paris, set and costume design.
1996 ORESTIA by Aeschylus, directed by Anita Blom for Skilling Theatre, set and costume design.
1993 ION by Euripides, directed by Anita Blom, for Skillinge Theatre, Skåne, set and costume design.
1990 HJÄLTEKUNGENS DOTTER (The Hero King’s Daughter) play by Ingegerd Monthan, directed by Eva Sköld at Malmö Town Theatre, Malmö, set and costume design.
1989 KUNGAKRONAN (The King’s Crown) ballet by Birgit Cullberg, Nyköping and Malmö Town Theatre, set design, for a production that was televised.
1989 MESSALINA opera by Carlo Pallavicino, directed by Nils Spangenberg, at The Old Theatre, Vadstena, set design, the painting and costume design.
1987 PARIS AND HELENA, opera by C.W. Gluck, ballet by Regina Beck-Friis, directed by Bengt Peterson, at Drottningholm’s Court Theatre, Stockholm, design, stage attributes and costume design.
1987 THE FLIES by Jean Paul Sartre, directed by Anita Blom, at Helsingborg’s Town Theatre, set and costume design.
1986 IPHIGENIA IN AULIS by Euripides, directed by Anita Blom for Helsingborg’s Town Theatre, set and costume design.
1985 ADELSON AND SALVINI, opera by V. Bellini, directed by Bengt Peterson, Metropolitan Theatre, Catania, Sicily, set and costume design.
1984 IMENEO opera by G Handel, directed by Michael Rennison, at the Sadler’s Wells Theatre, London, for the Handel society, set and costume design.
1981 LA BOHÉME opera by Giacomo Puccini, directed by Bengt Peterson at The Royal Opera, Stockholm, set and costume design.
1980 THE BEAR opera by William Walton based on a play by Anton Tsjechov, directed by Bengt Peterson at The Norwegian National Opera & Ballet, Oslo, set and costume design.
1979 IL PASTOR FIDO opera by G Handel, ballet by Mary Skeaping, directed by Bengt Peterson for The Norwegian National Opera & Ballet, Oslo, set design, supervising the painting, and costume design.
1969 KING LEAR, by Shakespeare, a film directed by Peter Brook on location in Denmark, Filmways INC & The Royal Shakespeare Theatre, costume design.
1967 DOM, (after Peter Brook’s play US), adapted by Mats Ödéen and H. Dahlberg, directed by Geoffrey Reeves, The Royal Dramatic Theatre, set and costume design.
1965 WHILE THE SPIDER SLEPT, (Medan spindeln sov) ballet by Brian MacDonald, at The Royal Opera, Stockholm, and at the Royal Winnipeg Ballet, Canada, costume design.
1963 LE VICAIRE, by Rolf Hochhuth directed by Peter Brook, at The Theatre Athénée, Paris, set and costume and design.
1961 KING LEAR, by W. Shakespeare, directed by Peter Brook, at The Royal Shakespeare Theatre, Stratford-on-Avon, assistant costume and set designer.
1958 COPPELIA, music by Léo Delibes, ballet by Mary Skeaping for The Royal Swedish Ballet, at The Royal Opera, Stockholm, set and costumes designs.
1957 DON PEDRO’S MARIONETTES (Master Peter’s Puppet Show), opera by de Falla, directed by Göran Gentele at Drottningholm Court Theatre, Stockholm, set and costume design.