Some of the productions between 2006-1985 are picked out here because they are a social or historic statement which would later influence her writing:
| 2006 | NOYE’S FLUDDE (Noaks Ark) opera by Benjamin Britten, Design and making of masks for the children’s chorus. |
| 1999-2000 | DON JUAN by Moliere, directed by Mario Gonzales for Skillinge Theatre, Skåne, played at Theatre Pied de Bois, La Cartoucherie, Vincennes, Paris, set and costume design. |
| 1996 | ORESTIA by Aeschylus, directed by Anita Blom for Skilling Theatre, set and costume design. |
| 1993 | ION by Euripides, directed by Anita Blom, for Skillinge Theatre, Skåne, set and costume design. |
| 1990 | HJÄLTEKUNGENS DOTTER (The Hero King’s Daughter) play by Ingegerd Monthan, directed by Eva Sköld at Malmö Town Theatre, Malmö, set and costume design. |
| 1989 | KUNGAKRONAN (The King’s Crown) ballet by Birgit Cullberg, Nyköping and Malmö Town Theatre, set design, for a production that was televised. |
| 1989 | MESSALINA opera by Carlo Pallavicino, directed by Nils Spangenberg, at The Old Theatre, Vadstena, set design, the painting and costume design. |
| 1987 | PARIS AND HELENA, opera by C.W. Gluck, ballet by Regina Beck-Friis, directed by Bengt Peterson, at Drottningholm’s Court Theatre, Stockholm, design, stage attributes and costume design. |
| 1987 | THE FLIES by Jean Paul Sartre, directed by Anita Blom, at Helsingborg’s Town Theatre, set and costume design. |
| 1986 | IPHIGENIA IN AULIS by Euripides, directed by Anita Blom for Helsingborg’s Town Theatre, set and costume design. |
| 1985 | ADELSON AND SALVINI, opera by V. Bellini, directed by Bengt Peterson, Metropolitan Theatre, Catania, Sicily, set and costume design. |
| 1984 | IMENEO opera by G Handel, directed by Michael Rennison, at the Sadler’s Wells Theatre, London, for the Handel society, set and costume design. |
| 1981 | LA BOHÉME opera by Giacomo Puccini, directed by Bengt Peterson at The Royal Opera, Stockholm, set and costume design. |
| 1980 | THE BEAR opera by William Walton based on a play by Anton Tsjechov, directed by Bengt Peterson at The Norwegian National Opera & Ballet, Oslo, set and costume design. |
| 1979 | IL PASTOR FIDO opera by G Handel, ballet by Mary Skeaping, directed by Bengt Peterson for The Norwegian National Opera & Ballet, Oslo, set design, supervising the painting, and costume design. |
| 1969 | KING LEAR, by Shakespeare, a film directed by Peter Brook on location in Denmark, Filmways INC & The Royal Shakespeare Theatre, costume design. |
| 1967 | DOM, (after Peter Brook’s play US), adapted by Mats Ödéen and H. Dahlberg, directed by Geoffrey Reeves, The Royal Dramatic Theatre, set and costume design. |
| 1965 | WHILE THE SPIDER SLEPT, (Medan spindeln sov) ballet by Brian MacDonald, at The Royal Opera, Stockholm, and at the Royal Winnipeg Ballet, Canada, costume design. |
| 1963 | LE VICAIRE, by Rolf Hochhuth directed by Peter Brook, at The Theatre Athénée, Paris, set and costume and design. |
| 1961 | KING LEAR, by W. Shakespeare, directed by Peter Brook, at The Royal Shakespeare Theatre, Stratford-on-Avon, assistant costume and set designer. |
| 1958 | COPPELIA, music by Léo Delibes, ballet by Mary Skeaping for The Royal Swedish Ballet, at The Royal Opera, Stockholm, set and costumes designs. |
| 1957 | DON PEDRO’S MARIONETTES (Master Peter’s Puppet Show), opera by de Falla, directed by Göran Gentele at Drottningholm Court Theatre, Stockholm, set and costume design. |